Fake smiles - be gone!

Awkward poses - no more! 

Boring photos - never again!

We're bringing the FUN back to photography!

THE BEST childhood photos are those that make you smile. The ones that want to brurst out of the frame for all the joy and happiness they spark. The ones that show TRUE emotions!

You know what I mean - belly laughs, not stilted half smiles,  armes spread with joy, little feet leaping off the ground, imagination and creativity at their best.

If 'Smile for Mummy!' is not working for you, we've got something else - a mini online photo course that's all about fun


✔️ we'll give you ideas for capturing genuine moments of fun and joy  (and ideas for fun things to try with different kids ages!) 

✔️ we'll give you tips and techniques of how to capture these moments best ( how to use composition and your camera settings for the best impact

✔️ we'll show you how to use body language, colour, props and storytelling to create photos that SCREAM fun

✔️ we'll talk to you about how to be in the moment and notice the loud and quiet joys in your children's lives

✔️ we'll encourage you to get in on the action and get into the photos yourself

 


photographing joy

starts Monday 27th May

AND IT'S FREE!

  • 5 daily lessons covering different ways of capturing the joy of childhood - from colour, movement, body language, light to storytelling, and more! 
  • Support Facebook group so you're never left to your own devices with unanswered questions
  • A CHANCE TO WIN our full flagship online Photography course! JUST for taking part!


Is this for you?

Are you a parent? Do you have a camera? Then the answer is YES

While our full paying courses cover both the technical and more compositional elements, our bootcamps are for anybody, of any ability! 

Because what you could be doing, is capturing photos like these: 


5 more reasons to join us: 


1. HANDS ON LEARNING

Because NOBODY learns just by watching. The format of the bootcamp is very much about having a go - whether you're a complete beginner or further along in your photo journey. Every day will come with a specific photo challenge so you'll know exactly what to focus on - and have some JOYFUL photos to cherish at the end. 

2. PLENTY OF SUPPORT

You will be joining our dedicated FB group where you'll be able to share your photos, get advice, ask for help and get inspired by your fellow bootcampers.

3. BABIES AND BEYOND

Maybe you have a baby, maybe your kids are at school - their smiles, their cuddles still melt your heart - you'll get to photograph both in our bootcamp

4. IT'S FREE!

Free, no charge, gratis, no tie-ins, nothing. We make no mystery of doing this bootcamp to show you how much fun you could have in our 'full' courses but there is absolutely no pressure to sign up! A tasty taster.

5. WIN OUR FLAGSHIP ONLINE COURSE!

Yes, you can win our Flagship online Photography course ( value £229) JUST for taking part. AT the end of the course we will draw a lucky winner who will get their pick of our online courses. It's that simple. 

How to join us:

1. Click on one of the buttons below to be redirected to a registration page

2. Complete the registration  - if you are an existing or past student, you need to enter the email you already have registered with us. If you're new to us, you'll need to set up a learning profile on our site - don;t worry - it's free 🙂 

3. Await confirmation email and get your camera ready for the course start! 

This category includes our current and past students on paying online courses as well as past bootcamp participants - in short those who already have an account registered on our Learning site.

It does NOT include those who just downloaded our freebies or took our self-paced email based courses.

If you're never attended any of our courses ( even if you joined our free email based course) this is a category for you. As part of the registration we will be creating you a brand new account on our learning pages which you'll need to access the material.

lets have some fun!

  • Long, warm days - ✔️
  • Beautiful sunshine and great light -  ✔️
  • Stunning colours and textures all around you -  ✔️
  • Plenty of fabulous photo opportunities -  ✔️✔️✔️

There is literally NO BETTER TIME to get your camera ourt and get clicking. 

With summer just around the corner, now is the time to get properly acquainted with your camera and learn how to take your photos from a forgetable snap to a keepsake that captures your child and who they are beautifully. 

We know what it takes and have the recipe for taking your photo skills from 'Mamarazzi' to 'your family's photographer' - and beyond if you wish! 

Our recipe : 

  • one part camera know how, 
  • one part understanding photographic composition
  • one part seeing and working with the light,
  • and one part inspiration, encouragement, personal, specific feedback and peer support.  

You get a really holistic approach to learning how to photograoh your children - one that marries the technical with the creative and shows you exactly how to approach your photography.  You get a supportive peer group that goes through the course with you. And you learn through doing - with home assignmemts, practice exercises, challenges - on which you get individual feedback so you can see how far you got. PLUS we have a very active, encouraging and helpful student and alumni community which stays with you long after the courses end. 

Our students tend to agree: 

Michelle Footer : 'If you’re thinking about taking one of these courses.....do it!
I’ve had my camera for a long time and despite having taken an adult education course to learn how to use it I never really figured it out! However after having done level 1 with Photography for Parents I not only know how the camera works I can also take photos which I am proud of.'

Shannon Molloy : These courses are just brilliant!
I recently completed the Level 1 course and have joined 3 boot camps. Ania has a beautifully clear way of explaining everything - ranging from the technical to artistic. The detailed feedback provided on each homework assignment is constructive and helpful, and I feel so much happier with my photography as a result of my learning with PfP. Additionally, the alumni group is lovely community and a fantastic way to keep supported and motivated between courses. Thanks Ania and PfP!

Dalia Seaborne : This is both the best baby class I took and the most enjoyable online course I ever done. The course is very well presented in easily to digest chunks, with a lot of short exercises along the way. There are plenty of opportunities to ask questions both in online group and webinars, and time to catch up if you fall behind (as we all know how unpredictable life is with the little ones), and, very importantly, you get an individual feedback on your homework photos.
I cannot recommend this course highly enough, and I am so grateful for Ania for creating this amazing course and community, teaching busy parents how to document their family storied beautifully!


Wait, did you say SALE?

YES! From today till the end of Monday, 5th May you can get yourself a deal and book our course ( or courses!) with a lovely discount. We have 3 courses starting shortly and they're ALL discounted.

PLUS a bonus for those who are ready to book - if you book by Saturday - rather than, you know, sitting there with your finger hovering over the button and then buying at the last possible moment (you know who you are) - you get an extra £5 off with a code EARLY5

This is the course for you

  • If you're new or relatively new to photography and / or your camera
  • If you're using your your camera mainly on auto and are frigtened if its buttons and dials
  • If you want help on how to start composing your images with care

Level 1 - Fundamentals:

  • starts 10th June 2019
  • 6 week course
  • £189 ( instead of £229) if booked by Monday
  • learn more about it

This is the course for you

  • If you're already relatively comfortable with your camera
  • If you're shooting in priority modes or started trying our full manual
  • If you want to be pushed and stretched on the creative side

Level 2 - Advanced:

  • starts 20th May 2019
  • 6 week course
  • £189 ( instead of £229) if booked by Monday
  • learn more about it

And after you've taken the photos...

BUt we don't just teach you what to do in camera. We can teach you what to do after too! Our super popular Photo Editing course ( based on Adobe Lightroom) is startng soon too! 

We take you through the process of photo editing, with step by step instructions and applications, live weekly class and an instructor led support group. 

Photo Editing - in Adobe Lightroom

  • starts 13th May 2019
  • 4 week course
  • £115 ( instead of £139) if booked by Monday
  • learn more about it



And in case you were wondering : yes, everyone improves!

We have a little Easter treat for you!  There is no Easter without eggs and so today, we'll give you a little tutorial on how to photograph the humble egg.

In this, and a couple other tutorials following in the next few days, we'll be showing you a few differenet ways to capture THE EGG, paying attention to a number of different composition principles and style conventions. 

Today, we're giving you a few examples on how light can affect the way that your egg looks and how to achieve it without studio lights, constly props etc. 


Let's start simply: 

The minimalist egg

White egg ( mine was duck's ) on white plate, and white background. Pure simplicity. Nothing there to distract from the oval beauty of the egg. 

What I did:

I placed the egg and the other props by a window with indirect natural light coming in. That means, the sun was not directly opposite the window, so the light was gentle, rather than harsh. 

I used a white foamboard as a background placed on the table and put a simple white plate on it. Then I placed the egg on one of the edges of the plate and composed so that I could capture a fragment of the plate in such a way that the curve of the plate creates a partial frame, bringing the eye to the egg. 

All elements - the backdrop, the plate and the egg were white - allbeing in slightly different shades of white - this allowed me to create a minimalist, shades of white image that uses shapes as its main composition principle. 

I used solely natural light from the window - the gentle light created only gentle, wrap-around shadows which highlighted the eggy shape and made the egg look three dimensional rather than flat but were not too harsh at the same time. 

I experimented with reducing the shadows by bringing another foamboard to the side of the picture, but found that the added extra light didn't work out in this composition - it took too much of the shadow away and made the composition look flat. 

Important note on exposure. The images you are seeing are SOOC ( straight out of camera) = no editing beyond a gentle crop. To make sure I got the right look and the right exposure in this white on white on white image, I ended up overexposing by 2 exposure stops - otherwise the image was looking very ashen. I did that in manual, but if you're shooting in semi-auto modes, you can use the exposure compenation button. 


The drama egg

Just as our last photo relied on small and gentle shadows, this one takes full advantage of more dramatic light to highlight the egg's texture ( I just loved how freckly it was ) and shape. The shadows are deep and sharp, the backdrop inpenetrably black. The light shines and reflects of the shiny egg, giving it a bit of a sheen. 

What I did:

This is a tale of 3 black tshirts which I used to 'dress' my white foamboards. My egg was placed in virtually the same place as in the last picture, with the window by its side, slightly elevated compared to the plate I used previously. 

I then used the curtains to narrow down the beam of light coming onto the egg - I wanted the light to be coming from one direction only and since it was overcast and all I had was indirect light ( which worked so well in the previous image) - I needed a way to shape it a little. 

I dressed my whiteboards in the black Tshirts and placed one behind the egg and one on the side facing the light. By using a dark surface there, it meant that the light which would be hitting it from the window would be absorbed and not reflected back onto the egg, allowing me to shape the light more precisely. I used the third Tshirt to drape over a little box the egg was resting on. 

How is the egg staying up? Bluetac and a match placed strategically behind it. 

Composition wise, I used an approximation of the rule of thirds and allowed more space on the side the light was coming from. 

From exposure point of view, the same way as our cameras make white look ashen, they make black look a little more charcoal like. But I wanted black-black and a good contrast with the shiny part of the egg.  So I ended up underexposing by -1.7 stop to make it look just right. The image above is again unedited, straight out of camera. 


The double egg

This, to a degree is a version of the Drama egg from above. 

I used to intertwined forks to create a little seat for the egg and placed them on a shiny surface. I wanted an uninterrupted black background but to achieve it, I had to improvise. The only shiny black surface I could find in my house was the surface of the cooker. I used my black tshirts draped over my foamboards again, this time using 3 of them and creating a mini booth for the egg so that I could direct the light to come from one direction only to limit the glare on the cooker surface. 

I was careful to compose in a way that highlights the symmetry of the composition.

Exposure wise, I had to underexpose again to make sure my black background showed up as true black. 


I did perform one small edit after downloading the images from my camera. Due to the nature of my shiny surface ( - working cooker!) , I couldn't get away from the white markings ( to regulate hobs and temperature)  and they showed up in the original image. I used adjustment brush in Lightroom to get rid of them. See the photo of my set up and the  unedited image below - the white markings are showing in the bottom right part of the frame.

If you enjoyed this little round up of ways to photograph an egg, you'll be delighted to find out we have a couple more to come over the next few days! 


PHOTO COMPETITION !!!

You have a chance for to win a place on one of our online photography courses! 


All you have to do is to take a photo of an egg ( any egg - chocolate, fried, hatching)  and post it to Instagram or on our Facebook Page , tagging us in, at any time between now and end of Monday 22nd April. 


You MUST tag us in (otherwise we won't know to include it in the draw) and hashtag  #photoparentsegg

 

The winner will be picked at random on Tuesday 23rd April




Register for our Free Photo CLICKstarter course and learn how to start taking control of your camera and take great photos of your kids!

If you’re not editing your photos, you’re missing out. It’s an ESSENTIAL skill for any photographer – from newbies to advanced enthusiasts – it’s not just for pros!

5 part blog series based on our oversubscribed online Autumn Photography bootcamp. Part 3 – Autumnal Portrait

5 part blog series based on our oversubscribed online Autumn Photography bootcamp. Part 2 – Colour and texture

5 part blog series based on our oversubscribed online Autumn Photography bootcamp. Part 1 – Light.

Nobody starts out a photographic genius. But we can get better and better. Check out the before and after images of our own students. You will be amazed how much things can change!

By popular demand, following the success of our last Lightroom Live – we’re bringing it BACK baby! Join us to learn how to get the best out of your images, how to fix and enhance and get creative with your photos!