Part 1 – Kids and water – match made in heaven

Is there anything that screams more SUMMER! than water play? Water and kids go hand in hand - like ice cream and a flake, seagulls and chips or a daytrip and a tantrum. Kids just love it - whether it's splashing about in a paddling pool in their garden, dive bombing into a pool or cooling off in the sprinklers.

And there are SO MANY summer adventures which involve water! You could be at home with a water tray, you could be in your gardern with a paddling pool, sprinklers and water guns, you could be wrecking havock in your local splash park, you could be wading through a stream, or you could be at a seaside/lakeside/pondside? or a pool! And let's be Britsh about it - you could be staring at rain or jumping into muddy puddles ( thanks again Peppa) 

Water play is so varied and the opportunites so plentiful, I could write a whole, full blown course on the subject alone and still not exhaust it, but I'll do my best to bring you some highlights with my best pro tips for capturing your kids playing in and around water. 

And to give you an alternative if the weather is...ahem...more traditionally British where you are, I've added a bonus part on a different sort of wet weather. 

But first things first - Protect your camera

I really cannot stress this enough - water and camera are mortal enemies. A splash on your lens glass may be ok, by water on the camera body or lens ( unless they are weather sealed by the manufacturer), can properly break it. Break it BAD. And let's not even entertain dropping your precious gear into water!  

So take steps to protect your camera - use longer lens and zoom in instead of getting very close to the action. I have on occasion even wrapped the camera body into a plastic bag or cling film to make sure water can't get into the crevices. 

If you go to the beach, avoid lens changes is possible - a single grain of sand can wreck your camera's lens or scrollers if it gets into the mechanism so pay extra special attention of how you handle your camera there. 

Always have your camera hanging in a strap, especially when leaning over water. 

If you're shooting with your phone, and you know you will be shooting close to a lot of water action, it may be worth investing in a protective cover. I recommend getting one that was made for your specific brand specifically and that will seal the phone in tight rather than the universal 'baggy' ones - in my experience these tend to fog up a lot and make your photos less clear. 

The trouble with water

The trouble with water is that it's well, transparent. And shapeless. Both of which have endless potential of tricking your camera, but also what makes photographing it so exciting. How you capture water will change dependng on the light and its shape will be shaped by the passage of time ( aka your shutter speed), but also your position, what's in the background and your shooting angle. 

Before we go onto the next page and explore a few different water based examples, I wanted to go through some technical and compositional considerations with you. 

So how do you capture a great 'water' photo. Well, technically speaking it really is a combintation of 2 things: 

1. Your shutter speed - a.k.a how fast your camera can take the photo

2. Your light - or more precisely, where, in relation to you and the water the light is coming from

1. Your shutter speed

There are a few variables which will have a big effect on what your water will look like, but none as key as your shutter speed. 

Shutter speed is essentially the time it takes your camera to take the photo. Fast shutter speed means you take the photo faster and the camera is most likely to freeze the movent. 

This is also what you want when you want to capture water as if it's frozen - droplets looking their perfect round or oval shape, puddle jumps bringing up perfect water crowns, looking like glass sculptures.

We would class fast shutter speed as being usually above 1/250s ( that's fractions of a second) but higher is even  better - most cameras will go as fast as 1/2000s or even 1/4000s. A word of warning though - unless you are out in super bright sun, don't push it quite as high or you're struggle with light. Usually 1/500s or 1/800s will be perfectly fast for what you want. 

Slow shutter speeds have a different effect on your water - with slow shutter speed, the camera takes longer to record a photograph, so it also records any movement that occurs in that time. This is when you can record water droplets looking like little lines or waterfalls and streams having that dreamy candy floss effect - I will be touching on it on the next page. 

But if you're reading this with an increasing air of 'I have no idea how to even find my shutter speed' I have some very good news for you.

The good news is that unless we're talking rain, puddles and overcast weather, being outdoors in sunny weather will almost guarantee that you will get a fast shutter even if you do absolutely nothing in camera and just leave it on Auto.

That's because how fast your camera can take a photo is directly linked to the amount of light it gets ( that's why you have been getting blurry photos indoors) so lots of light = fast shutter speed.

If you are using your phone this week, you probably read all this and thought - it doesn't apply to me - but increasingly phone manufacturers are beginning to offer additional control settings in the pro options - often including the ability to change shutter speed. Hopefully, you shouldn't need it as getting plenty of light helps your phone camera shoot fast too, but of you're somewhere more murky, changing it up, may be exactly what you need.

2. Light matters

Alongside shutter, light will be the factor that will make your water photos shine ( quite literally!) or not. 

Let's consider water: first of all - transparent, second of all, kind of magnifying, thirdly, reflective, finally - can make rainbows! 

Now, quite HOW reflective, transparent etc the water will look in your images is going to be firmly down to light. More precisely, your light direction. 

If you've done any of our courses, you are by now used to thinking about your light direction and what it means to your subject, but if you're new to us, it may not have been something you gave much thought to.  But even if you're new to it, please bear with me, because it's really key here. 

When we think about Light direction, we typically talk about your subject ( whether that's your child or a glass of water) being either: 

• front lit - when the light source ( often the sun) is behind YOU - the photographer - but shining directly in them ( regardless where they face) 
• back lit - when the light is behind them and shining directly on you
• side lit - when the light is coming onto you and your subject from a side 

Depending on the direction of light, your water will look very different. 

Let's consider a sprinkler : 

With front light, the light is hitting the droplets, picking them out from the background by the virtue of reflection in their shiny surfaces. That's good, because that reflective quality of water is really helping you here. But it's not living up to it's full potential YET

With Backlight or even side light, we OBSERVE the light going THROUGH the water. But since those spherical little droplets create a magnifying effect, the light gets amplified as it goes through them and they end up looking like little drops of gold, little tiny lightbulbs. 

And I know what you will say - you can't ALWAYS control where your kids will be in relation to light, often the situation will be - what we call - dynamic. 

I'll be mentioning light in the examples on the next page - watch out for it! 

Notice your background

One other thing which is likely to make a big difference to the way your water is going to look in your images is the background. 

Put water against a bright background ( like the sky for instance) and you will struggle to make it out at all. 

But put it against a darker background - like a hedge, a fence, a building etc and it will literally shine. 

Focusing woes

If we're talking sprinklers, we're talking something that often actively ends up being in front of or around your children which means that your camera may struggle a bit with where to focus. 

I'm afraid I haven't got a magic bullet here. There are a few different approaches, but it will depend on how much you want to be fiddling with your camera and how precise you want your images to be.

Option 1: just keep your camera on the focus setting it is ( for the running through sprinklers I'd recommend a continuous focus mode - check out our previous lesson for more info) and simply make peace with the fact that you'll have some hits and misses. If you can, switch from multipoint / wide focus AREA mode to a single point or group so hat your camera knows to hunt focus in one place only rather than all over the frame.

Option 2 - switch to a static focus and pre-focus it somewhere you want your kids to be - the actual sprinkler itself may be a good point if you expect your kids to be jumping through it.  Again, you need to make peace with some of the shots being missed, but as long as you shoot primarely into the same point and press your shutter as your kids hop over the water, you should get some gems too. 

Option 3 - if you're quick and brave - manual focus. It's all ( literally) in your hands. I wouldn't recommend it unless you are genuinely comfortable with manual focus techniques, but if all else fails...

Photography for Parents - So it your course just a collection of tutorials?

In the era of the internet, you could find a tutorial for nearly everything out there. For free. Why would you even consider paying for a course?

To put it simply, because that's not how learning a skill works.

You can watch a tutorial on how to set the shutter speed on your camera, but that won't necessarily mean you now can take a beautiful photo of something in motion. You only learned a fragment of a skill. You didn't consider all the other elements that make a difference. It's not how we teach. 

To give you an example - we have a module dedicated to capturing movement. We teach about shutter speed of course. But you also learn : how to make your focus follow your subject on the move, how to compose your photo to best illustrate the speed, whether to make your subject tack sharp or introduce a degree of blur to highlight the speed and how to apply it in common child-centred scenarios - swings, running etc .

To learn all this you get the core materials ( a bit like in this summer course), but you also get a live tutorial online with your instructor. And then you go and try all this out and we give you feedback and advice on how to make things better, what you may have missed and to praise your efforts.

You don't get that from a random tutorial. YOU LEARN SO MUCH MORE